i'm sloane & i like to look at things and read things and go places that may or may not exist.
— Ngugi wa Thiong’o, Decolonising the Mind (via daughterofzami)
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Kerascoët’s covers for Beauté with scans of the original art for the 2nd and 3rd tomes and the cover design for the first.
I think Kerascoët’s use of green ink is very interesting as a way to define lines and spaces meant for color while maintaining information within the image that black ink would otherwise compromise. It’s a smart method with using green to define the sky against the cloud and especially with the amount of creatures drawn heavily with black, the green prevents her from losing the shapes and figures to black and also from committing the all too common aural line around figure that would completely destroy the eerie mood of the third cover or the delicate detail of the comb going through black hair in the second.
This book looks great. Please come to America. I don’t care if it’s translated or not.
This book is coming out from NBM this Fall. All three books in one oversized volume, coming out around the same time as a larger collection of Miss Don’t Touch Me. It’s called “Beauty.”
I’ve wanted to write about this scene for years without knowing how to—just watching it and holding it close, then holding it further from me until I can bear to hold it close again. And still now, I don’t know how to write my way into this scene, into this film. Into the look on Yu’s…
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